In tune: The Ballad of Joe Hill

Continuing our series of songs in labour history, Keith Laybourn discusses a protest ballad performed throughout the twentieth century and into the twenty-first by some of the biggest names in American music. ‘I Dreamed, I Saw Joe Hill Last Night’ is often known as ‘The Ballad of Joe Hill’. I first came across this ballad in the 1960s through a combination of events. From the … Continue reading In tune: The Ballad of Joe Hill

In tune: Foster’s Mill

A song commemorating the Luddite attack on Foster’s Mill survives only in fragments but helps provide an insight into community solidarity in this early period of labour history, writes Joe Stanley. Foster’s MillBill Price (traditional) Most labour historians will be familiar with West Riding Luddism in 1812. E.P. Thompson paid particular attention to the movement, and stressed its political undertones, in chapter 14 of The … Continue reading In tune: Foster’s Mill

In tune: Des Métallos

In the third of our continuing series on labour history in song, Constance Bantman shares Massilia Sound System’s take on deindustrialization and gentrification in Marseille. Des MétallosMassilia Sound System (Massilia Sound System, 1995) Trust the famously political Marseillais reggae band Massilia Sound System to write a song dissecting the deindustrialization and gentrification of France’s second largest city and make a joyful banger out of it. … Continue reading In tune: Des Métallos

In tune: The Bury New Loom

In the second of our ‘In tune’ series on music and labour history, ballad singer Jennifer Reid introduces a song about a travelling loom engineer – and a young woman in need of his services – that is guaranteed to make you smile. The Bury New LoomJennifer Reid (traditional) I once sang The Bury New Loom for an event at Manchester International Festival in collaboration … Continue reading In tune: The Bury New Loom

The Working Class in Twentieth-Century Song: A Fan’s Notes

Opening a website series on songs associated with labour history, John McIlroy looks at ‘The Working Class in Twentieth-Century Song: A Fan’s Notes[1]’ arguing that researching the genealogy of songs, finding new ones, rediscovering old ones, exploring the cultural ambience in which they were created and performed is part of the folklorist’s mission and the historian’s brief. Find out more about this series. IntroductionThe Great … Continue reading The Working Class in Twentieth-Century Song: A Fan’s Notes

Chartism, the great strike of 1842 and the possibilities of drama

Dramatists have been slow to pick up on the events at the heart of the great strike of 1842 and its complex relationship with Chartism. Michael Crowley, the author of Waiting for Wesley, explains how he went about bringing the story to life on stage Waiting for Wesley is being staged at Calderdale Industrial Museum on Sunday 6 August at 3pm Tickets are available via … Continue reading Chartism, the great strike of 1842 and the possibilities of drama

‘Singing Sweet Liberty’: Michael Sanders’ inaugural professorial lecture

Mike Sanders, Professor of Nineteenth Century Literature & Culture at the University of Manchester and a member of the Society’s executive committee, delivered his inaugural professorial lecture at the John Rylands Library on Wednesday 31 May. The lecture was titled ‘Singing Sweet Liberty’: John Stafford and the creation of radical memory from Luddism to Chartism. The lecture explored the role played by song in creating … Continue reading ‘Singing Sweet Liberty’: Michael Sanders’ inaugural professorial lecture